After fleeing a painful and compromising past, Emma Rose Howard settled eagerly into the role of a pastor’s wife. She and her husband, Abel, dedicated themselves to parenting a mega-church and influenced thousands of lives through its related ministries.

But when Emma Rose receives a phone call from a living, breathing remnant of her troubled past, she finds herself wondering if something in her life is woefully out of balance. The presence of this unexpected intruder soon threatens everything Emma Rose has believed about her calling, her marriage, and her relationship with God.

The Debt not only invites readers to embrace the painful heartache and incomparable joy that accompany a soul’s redemption, but it challenges us to follow Christ to new and unexpected places.

Examining the causes of the acute Latin American debt crisis that began in mid-1982, North American analysts have typically focused on deficiencies in the debtor countries’ economic policies and on shocks from the world economy. Much less emphasis has been placed on the role of the region’s principal creditors–private banks–in the development of the crisis. Robert Devlin rounds out the story of Latin America’s debt problem by demonstrating that the banks were an endogenous source of instability in the region’s debt cycle, as they overexpanded on the upside and overcontracted on the downside.

Originally published in 1993.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

“The Story of the Stone” (c. 1760), also known by the title of “The Dream of the Red Chamber”, is the great novel of manners in Chinese literature. Divided into five volumes, of which “The Debt of Tears” is the fourth, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author’s own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence a theme, which affirms the Buddhist belief in a supernatural scheme of things.